Thinking now about how they would discuss my character in a college-level english class, Watching me through that invisible ceiling of all those classics, from Hawthorne to Fitzgerald to Bronte,
Passing from bedroom
To kitchen
To fill up
My blue water bottle. They’d say:
“Isn’t that interesting the way he texts his girlfriend he’s reading over
the text she just sent him, when in fact, he is filling up his blue water bottle?
Isn’t it interesting the way he tells people he does one thing, when actually,
he does another?
What can we make of his
Character
Based on these contradicting actions?
What are we to make of his role
In the story?”
My whole life I’ve been waiting
For that star pupil, the kind
Who sits in the back, reticent
To use their voice among others,
Like a shark frightened of other
Sharks, but still needs to feed else their professor will
Give them low marks for participating, so just once they
Raise their hand to my
Defense, because they’ve been studying the pages
And passages, contradictions and unspoken
Intentions
This whole time, and when the professor calls on them they say:
“Yes, but
Notice the way he also
Cares deeply, and even though he does the opposite
Of what he says he is doing, it’s not because He
doesn’t wish he could—it’s because he doesn’t
Know how to.”
Brooks Harris is a rising senior at DePaul University, studying creative writing. He focuses on poetry and short fiction, and has had his work featured in 14 East Magazine, DAC’s First Issue Zine “New Normal,” and soon in Crook & Folly. He likes riding his bike along the lakefront trail, wearing a helmet.