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Issue 5 Poetry

Earth Animal

The things I needed to change had a lot to do with how the piece reads out loud vs. on the page. I had to slow down some parts in structural ways, since I wouldn’t be able to control the speed of the reader. This meant adding more single sentence breaks in between longer paragraphs, a suggestion that I really appreciated and ended up enhancing the piece a lot.

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Issue 5 Poetry

“If you stood there and watched, you’re a terrible cop”

I was given the advice to include more concrete imagery or metaphors early in my poem, so as to help ground it more. The ending is strong, but the beginning can seem abstract. One suggestion was to include a chant or slogan from the George Floyd protests, which is what inspired my poem. I decided to make one of the chants my title, which also serves as a sort of foreword too.

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Issue 5 Poetry

Astray City

I made a Writing Center appointment and I received great feedback on ways to heighten the imagery of the piece. For instance, the line about “steel towers” was the suggestion of a peer tutor, which helped me in other areas of the poem to find exciting and creative ways to describe everyday objects.

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Issue 5 Poetry

Commuting North

Several writing tutors told me what they liked about the piece, including the physical movement of it, and the personification of Western. I used this feedback to lean into those elements and fully realize them as the core of the piece.

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Issue 5 Poetry

a thousand letters

Some of my feedback focused on the last line: “I would’ve not longed for her to meet.” When the tutor read this out loud, they read it as “I would not have longed for her to meet” instead. When I pointed it out, we discussed a few options, but the concept of making something tough to read makes the reader take it slow and use more cognitive processing. That might be frustrating in long paragraphs but in these short lines I think it actually helps the reader to be cautious of what they are reading.

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Issue 5 Poetry

Little Boys with Great Noise

There were several small spelling mistakes that had gone unnoticed to me, but they were very clear to another person. Coming back to it through another person’s eyes allowed me to revise and ensure that someone else would not misconstrue the poem due to small errors. I went back and made a few edits to ensure it came out in a more satisfying manner.

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Issue 5 Poetry

Devil in the Mirror

The reviewer at the writing center said she would like to see another line in my poetry referencing a mythical beast. I decided not to insert a side story of what I only intended to be a singular comparison of a mythical, multifaceted being in dramatic contrast to the two sidedness of being disabled. I also want readers to understand it’s a passing thought of comparison and not a direct analogy.

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Issue 5 Poetry

Little Black Blur

I got some suggestions relating to word choice so that the syllables of my rhymes sounded better and more concise. I was informed that my poem does not tell a very complex story but it’s a complete one. I was suggested to introduce a conflict into the story to keep the reader’s attention and make the happy ending all that much more joyous, but I did not go that route. I wanted to keep it very simple.

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Fiction Issue 5

Blue Scale

I received feedback about character introduction. The majority of my consultation was focused on pronoun choice and style of my writing. Reading the piece out loud was of much help when determining what words were better for reading aloud and reading in the mind. It was a positive challenge for me to do that!