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Fiction Issue 7

Days of Surrey

In the previous drafts there was the issues regarding narrative clarity, as well as some characters not being fleshed out well enough, or others not having enough appearances. This affected the rewriting process in which I focused on addressing these specific issues.

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Fiction Issue 7

Honeysuckle Shade

I was provided feedback on the transitions, specifically on providing a more sensory detail between time changes that connect the two. I focused more closely on the sound of the gravel road by the house. I appreciated the discussion around the transitions, as that was likely the most jarring part of the story.

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Fiction Issue 6

إنكسار: Fracture

“I used feedback to sharpen the opening and clarify the setting. The story became clearer, more emotional, and complete.”

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Fiction Issue 6

Lucifer’s Flock

“I received helpful feedback from the Writing Center. I revised for style consistency, clarity, and less word repetition.”

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Fiction Issue 6

The Silent Choreography of Indifference

Feedback taught me to balance poetic tone with clarity and craft sharper endings for a stronger thematic conclusion.

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Fiction Issue 6

Anesthesia

The feedback helped me imagine different endings, and how the subtlety of one line can drastically change what the reader takes away from the experience.

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Fiction Issue 5

Sudoku, Santa Claus, and Jesus Christ

From both Writers Guild and my appointment with a peer tutor, I received overwhelmingly positive feedback on this piece, and it has remained relatively untouched from its first draft. Initially, I wrote this piece in the middle of one of my lectures and wanted to experiment with a total stream of consciousness style. Catching the spelling errors was the most helpful, as well as the general support and positive feedback for this piece.

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Fiction Issue 5

Blue Scale

I received feedback about character introduction. The majority of my consultation was focused on pronoun choice and style of my writing. Reading the piece out loud was of much help when determining what words were better for reading aloud and reading in the mind. It was a positive challenge for me to do that!

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Fiction Issue 4

Xennial Angst

After consulting with a member of the Writing Center, I made some specific changes to the dialogue in certain scenes of the screenplay. Having someone that I knew and respected tell me my dialogue, in certain scenes, didn’t sound natural made me go back and redo a lot of my wording. I made the dialogue sound more natural and even flowing. Having another respected peer read my script and give helpful feedback made for a much better work overall.

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Fiction Issue 4

Wide Awake

I struggled a little with tense so Nikita [a tutor] at the Writing Center helped point me to some recourses online and also highlight areas with inconsistent tense. She also suggested writing the whole story in the present tense so it’s more engaging to the reader. I reviewed all her markups on tense and updated the main story to present tense. I kept [a few] past tense sentences just because they make more sense that way. Nikita also pointed out to me that my dialogue and thoughts could be more clear. I went through her markup and updated all thoughts to be italics and added “I thought” at the end to distinguish them.